From: db-ft@w... (David Brewer)
Date: Mon, 08 Mar 1999 23:27:29 GMT
Subject: Re: [OT] Re: Tired of the stupid comments about SST... you will be.
In message <Pine.OSF.4.02A.9903072134340.30339-100000@ccins.camosun.bc.ca> Brian > Burger writes: Ah, come on. Most people who saw the film never even heard of the book. Sci-fi geeks like us make up a small proportion of the sci- fi film audience. [...] > > > You'll be surprised at how much Really? Did you see the Three Musketeers with Charlie Sheen and Tim Curry? Any Dracula or Frankenstein film? Anything of P.K. Dick? H.P. Lovecraft? etc. etc. etc. Am I right in recalling a film of 1984 with a *happy* Hollywood ending? I did like L.A. Confidential, but it was a shame they cut out Walt Disney's secret psychopathic serial killer illegitamate son from the story. > All Mr. Verhoven Non-rhetorical question: what do think Verhoeven's views actually are? I certainly can't tell from the film. The film may be satirical, but, unlike the earlier Robocop, or Total Recall, the society being satirised is shown to work very well; to be stable, fair, prosperous and capable of self-defence. What more did RAH say himself? Verhoeven also, reportedly, thinks Hitler is very misunderstood. He'll never get any money for the film project. Penury may force him direct another few huge American sci-fi blockbusters. > > One presumes that he read numerous treatments and scripts. ...and the kicker is, they each get paid more than everybody on this list *combined*. > > The point Verhoeven made time and time again in interviews is that ...is that the book or the film you're describing?... > > It was the producers who jumped on SST as a vehicle for a giant Well, we'll have to disagree. It's the only filmable version of the novel that I can imagine, and a spledid romp. Good looking people, a fated (yet tragic) romance, lots of nameless goons get slaughtered in several humungous gore-fests, a few laughs here and there, CGI that wasn't crap, spaceships. Worked for me. The romantic shennanigans are the centre of the film's story, providing the plot's turning points and resolution, so I guess the 90210 jibe is fair... ish. I don't think 90210 character get their brain's sucked out by insects to resolve a plot line very often (but then I've never seen 90210, so I could be wrong). > > > This is from "The Making of SST" which has an interview w/ Yes. I was laughing at them, not with them. > Verhoven butchers the politics. Look, I don't agree with most of the I don't agree. He does present the politics, and it isn't just to say "this would be bad" or "this would be good". How dull would that be? Satire is a *serious* way of presenting politics, it just isn't a very *respectful* way of presenting politics. > (I'm not sure the politics of the A-ha. We agree on something, at last. Frankly, you could either make SST to be laughed with, or laughed *at*. I also get bragging rights on this point, because loooooong ago on this list, before the film was out, I proposed a satirical SST as the only way to do it. Validation, I love it. > Heinlien seems to have believed most of the politics he put into the I'm not sure I agree. Whether RAH believed all the BS from SST is one of those interminable debates. The book is, I think, a reaction to the looming spectre of push-button, nuclear warfare from which the hoi-poiloi are completely excluded. This is not a very democratic prospect. Writing a novel emphasising this doesn't necessarily mean that you want to disenfranchise honest tax-paying non-veterans. > The book would Art is ambiguous. Satire isn't there to provide answers, but to ask questions, disrepectfully. > Enough on this. I've gone on too much, it's now way way OT. I don't Indeed. We shall have to agree to disagree. I had to be dragged to the cinema to see it and I am grateful to the dragger.