[GZG] gzg-l@vermouth.csua.berkeley.edu

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say assemble first Mike. Take a few seconds to file off any sprue flash. I
find it easier to work with the whole mini and there may be directions you
want to work your brush that the sprue would impeded.

Drybrushing reminds me a bit of the sport of curling. Those guys take corn
brooms and whack them back and forth to clear the path for the stone. It looks
like there is a lot of brush movement for the small path they have to clear.

So a certain extent, this reminds me of the action of drybrushing. A light
touch, many passes, very small changes. If you make one pass and see fairly
noticeable amounts of change, you've got too much paint. It can take you
4-10 back and forths over an area to see the change you want. And if
you're doing it in layers (drybrush dark grey, then light grey, then white),
you'll want to be very careful to have a dry enough brush for subsequent
layers and
a lighter touch than the first layer/fewer repetitions. With this,
you'll brush up with a little dark grey, less light grey, and even less white,
but the end result should look just fine.

Then you can work on picking out details. Sometimes after that, another final
drybrushing pass is useful too.

Painting is an art. Two people can paint the same mini even aiming at the same
sort of look and end up with different looks because of painting techniques.
As you practice, you try out different options (always keep an ear open for
new things to try). Eventually, you find the techniques you learn to do well
and sometimes quickly and you find out the techniques that produce the look
you like best.

Rome wasn't built in a day, neither was a good painter. Rome left lots of dead
bodies in its path to glory and a good painter came from a mediocre or bad
painter by way of a lot of less than perfect mini painting. Just don't
get discouraged - given time and patience, you will improve.

TomB